David Selznick And Since You Went Away :: essays research papers fc

David Selznick and Since You Went Away"I have a different concept of producing thanother producers. Some producers argon money men,and others are just lieutenants. For me toproduce is to make a look. As a producer,I can maintain an editorial perspective thatI wouldnt have as a director. I considermyself first a creative producer, hence a showmanand then a businessman. You need all tierce thingsto succeed in the business today."-David O. SelznickThe painting Since You Went Away was released in 1944. This heroical call for attempted torelate to the American audience that was dealing with the state of war foreclosing andthe flux of soldiers coming home at the time. The Hollywood studios wereconstantly seek to do their part for the war buy making flashs about the war ina fairy tale "Hollywood" style. Since You Went Away pass over these boundaries,and the movie audience at the time, positively responded for this reason. Theproducer and screenwriter of the mo tion-picture show knew America craved this portrayal.Critics of the film from this period, applauded its "realism", but in hindsightstudies of the film in the seventies and eighties were a little more fine ofthe film. David O. Selznick was the man behind the vision of this film andSelznick is crush known for film classics like kaput(p) With the Wind, (from whichthe formula of this movie draws heavily from) Rebecca, and King Kong. Thisfilm was a peculiar(a) project for Selznick at the time, and it was seen as hiscontribution to the war effort. The academy awards recognized Selznicks effortand nominated his film for best picture of 1944.David Selznick was known as a one of the great creative producers- on sideWalt Disney. A creative producer is usually "a healthy mogul who supervisesthe production of a film in such authoritative detail that he was virtually itsartistic creator." (Eyman p. 121) In this period, Selznicks style wasremembered best by his epic length movies in which he paid special attention todetail. His films catered to the female market but also had potential to dragover to the male segment. Selznick was "increasingly becoming aware of thecommercial prise of his name." (Fenster p.36) He decided to repeat the formulathat worked well in Gone With the Wind and made a decision to purchase a warnovel/diary from Margaret Wilder. Since You Went Away spawned from Wildersnovel, after Selznick spent many hours on developing the screenplay and hiringthe right cast. The war film was a popular literary genre to produce during the war