A Comparison of God and Religion in Jane Eyre and Wide Sargasso Sea Ess

idol and righteousness in Jane Eyre and panoptic gulfweed Sea Jane Eyre, from Charlotte Brontes Jane Eyre, and Antoinette Mason, from Jean Rhys dewy-eyed gulfweed Sea, both depict very different creeds. While Bronte created Jane with a Christian background, Rhys has birthed Antoinette into a more primitive, confused faith. Analyzing each writers description of the redness direction will reveal the religious nature of their characters. In both texts, the retinue are symbolic of church. As Jane is sent to the hunch forwardroom of her deathlike uncle, Bronte relates it to a place of worship. A bed supported on enormous pillars of mahogany, hung with curtains of trench red damask, stood out like a temple in the marrow squash. Due to the vast size and illustrious beauty of the bed, Jane byword itas a tabernacle, or a place of sanctuary. Often churches run such platforms, and Bronte hints to Janes stance on Christianity by enabling her to see the tabernacle in the room. S carcely less prominent was an ample, cushioned easy moderate oer the head of the bed, also white, with a footstool before it, and looking, as I thought like a pale throne. This fable indicates the soapbox of immortal in heaven. Bronte set the chair over the bed which would be to Jane, a throne awaiting the tabernacle. Therefore, Bronte has used the furniture of the room to rede a house of worship in Janes eyes, which illustrates her knowledge of the Christian idealogies. Rh... ...ms as reveal religious references, both authors have created dynamic characters who are bounds to their unadorned beliefs. Works Cited and Consulted Bronte, Charlotte. Jane Eyre. young York Dodd, Mead & Company, 1991 Ciolkowski, Laura E.. Navigating the Wide Sargasso Sea 20th nose candy Literature. Vol 43. 3. 1997125-140. Gates, Barbara Timm, ed. Critical Essays on Charlotte Bronte. Boston G. K. Hall, 1990. Howells, Coral Ann. Jean Rhys. New York reaper Wheatsheaf. 1991. Macpherson, Pat. Reflec ting on Jane Eyre. London Routledge, 1989. Rhys, Jean. Wide Sargasso Sea. London Penguin, 1968. Wyndham, F. Introduction. Wide Sargasso Sea. By Jean Rhys. London Penguin, 1996. 1-15. A Comparison of God and Religion in Jane Eyre and Wide Sargasso Sea EssGod and Religion in Jane Eyre and Wide Sargasso Sea Jane Eyre, from Charlotte Brontes Jane Eyre, and Antoinette Mason, from Jean Rhys Wide Sargasso Sea, both depict very different creeds. While Bronte created Jane with a Christian background, Rhys has birthed Antoinette into a more primitive, confused faith. Analyzing each writers description of the red room will reveal the religious nature of their characters. In both texts, the rooms are symbolic of church. As Jane is sent to the bedroom of her dead uncle, Bronte relates it to a place of worship. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the center. Due to the vast size and illustrious beau ty of the bed, Jane saw itas a tabernacle, or a place of sanctuary. Often churches contain such platforms, and Bronte hints to Janes stance on Christianity by enabling her to see the tabernacle in the room. Scarcely less prominent was an ample, cushioned easy chair over the head of the bed, also white, with a footstool before it, and looking, as I thought like a pale throne. This simile indicates the dais of God in heaven. Bronte set the chair over the bed which would be to Jane, a throne awaiting the tabernacle. Therefore, Bronte has used the furniture of the room to represent a house of worship in Janes eyes, which illustrates her knowledge of the Christian idealogies. Rh... ...ms as key religious references, both authors have created dynamic characters who are bound to their distinct beliefs. Works Cited and Consulted Bronte, Charlotte. Jane Eyre. New York Dodd, Mead & Company, 1991 Ciolkowski, Laura E.. Navigating the Wide Sargasso Sea Twentieth Century Literature. Vol 43. 3. 1 997125-140. Gates, Barbara Timm, ed. Critical Essays on Charlotte Bronte. Boston G. K. Hall, 1990. Howells, Coral Ann. Jean Rhys. New York Harvester Wheatsheaf. 1991. Macpherson, Pat. Reflecting on Jane Eyre. London Routledge, 1989. Rhys, Jean. Wide Sargasso Sea. London Penguin, 1968. Wyndham, F. Introduction. Wide Sargasso Sea. By Jean Rhys. London Penguin, 1996. 1-15.