Howard Arkley was born in Surrey Hills, Melbourne, Australia, in 1951 and died there in Oakleigh, Melbourne, on 22 July 1999. Arkley was a major presence in the Australian art world and his exhibitions were significant events. He first exhibited at Tolarno Galleries, Melbourne, in 1975 at the age of 24. The suburban landscape had been Arkleys inhalation for more than two decades. His idea of the ideal home had become iconic images mystic down Australia and attracted significant overseas attention from collectors and curators. He maxim that the suburbs were a worthy landscape with more relevance than the bush-league to al most(prenominal) Australians. The suburbs are an icon of Australian cultural individuality and Arkley took this as his opportunity to create amazing art, which reflected a jubilance of flavor in Australian suburbia. Howard was captivated by a enceinte browse of things without his short life. Punk music/culture, Travel, his teachers, childrens books, hi s wives, art nouveau, textures and most importantly suburbia, to name but a few. Elizabeth Gower, his first wife introduced him to womens art movement, i.e. quilting and traditional handicrafts. This can be seen in his work, the Vortex, 1981. As well as the obvious pattern, border of credit and shape. Printout Red/Blue, 1980.
This work incorporates important autochthonic influences on Arkley, such as the work of American artists dog Stella and Agnes Martin, through the use of pencil squares. This work alike brings to headland pattern lino and embroidery. This is an important pre-cursor to later w orks in which Arkley render the patterns of! flywire screen doors of Australian homes. Disco, 1981. This artwork shows the influence that early computer games such as Pacman had on Arkley. It also reminds me of neon disco floor lights. It also shows texture, which he was quite an fire in at the time, especially... If you want to get a dear essay, order it on our website: OrderCustomPaper.com
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